Photo: Joshua Huston
A day in the life of Seward Park children’s musician Eli Rosenblatt sounds downright idyllic. After a morning spent in his garden with a famous florist (his wife, Kelly Sullivan) and lively 3-year-old (his son, Elian), Rosenblatt takes a stroll through his neighborhood to teach music and movement at three local preschools. Though some might find engaging a room full of 4-year-olds exhausting, for Rosenblatt it’s nirvana.
“There are moments when you can feel so much love in the room,” he says. “Just seeing the parents seeing their children and the children seeing their parents. It’s really special. It feels really joyful.”
Whether baking family recipes, crafting decorations, or dressing up as dinosaurs, these local families know how to put the happy into the holidays. From an “A-Team”-inspired celebration to a Sikh musical tradition to a recently homeless family making merry in a new home, the holiday season in Seattle is as multifarious as it is memorable.
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Excited to share a few gems from my first issue as Editor of Seattle’s Child magazine! Proud to feature artist and activist Aleksa Manila on the cover talking about her Drag Queen Story Hour! We also have an infants at work program feature, a Seattle reggae artist profile and tips on how to avoid food waste! Pick up a copy at your local Seattle library or subscribe here.
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“Comedian Eliot Glazer has created a live show that combines his absurd comedic sensibility with his musical gifts. A classically trained vocalist, Glazer orchestrates poorly written pop songs of the nineties like “Too Close” and “S8R BOI” into moving ballads featuring vocal harmonies and critical analysis. The most recent monthly performance of Haunting Renditions sold out at The Bell House in Brooklyn and featured Gilbert Gottfried and Phoebe Robinson. When he’s not serving as executive story editor on New Girl or writing for Broad City with his sister Ilana, Glazer is fully immersed in developing his next set for Haunting Renditions. I talked with Eliot about music, authenticity, and Ashlee Simpson.”
Photo: Joshua Huston
“Growing up on the Hawaiian island of Oahu, Daniel Pak knew that music was in his blood. His father was a jazz pianist and taught him to play scales around age 6. In a few years, he had advanced to performing pieces by Mozart and Beethoven. But it wasn’t until he taught himself acoustic guitar at 13 that his passion was truly ignited. “That’s when I really found that music was more than just lessons. Music was something that would be with me every day,” says Pak.
Pak has fond memories of kanikapila, impromptu music jam sessions with friends. “We’d all go to the beach. Someone would bring ukuleles and guitars, someone would bring bongos. We’d play music and listen to the waves coming in and the palm trees rustling,” says Pak. Today — minus the beach, palm trees and crashing waves — Pak tries to “perpetuate that tradition here in Seattle.”