The Altruism of Comedy

bamford_benched

Grateful for the opportunity to review Maria Bamford’s fantastic new material for Splitsider

Here, I explore her hilarious new bits on couples’ therapy, sex, privilege, and much more through anecdotes on my personal experience with mental illness, getting help and getting better.

Give it a read and share your thoughts, then consider checking out Maria Bamford on tour!

Brooklyn’s Biggest Hooker

Originally reported in 2009 by Sydney Parker

“I’m forty years old and I hooked a forty pound fish!” declared John Ruffino, hoisting the giant first prize Brooklyn Fishing Derby trophy over his head. The first annual derby held it’s closing celebration Sunday night at the Brooklyn Alehouse.

JohnRuffino

An enormous striped bass hung by it’s lip from a tree branch at the entrance, marking the spot. The ceremony signified the end of the month long competition to catch the biggest fish anywhere along the East River from Red Hook to Long Island City, Queens.

Catching the big fish was a proud moment for Ruffino. A class room of Orthodox Jews had taken a field trip to the Gantry State Park pier that day and cheered as he reeled in the line for the massive fish. It took him over twenty minutes to pull the bass out of the water.

“When I stuck my hand in to pull out the hook, the fish bit me,” said Ruffino, unwrapping his hand from his beer to show the scar.

Back lit by a stunning view of the Manhattan skyline and flattered by the sparkling East River, Gantry State Park provides the ideal conditions for the fisherman’s reverie. The park was recently transformed from an industrial space into an award winning design. Two gantries, old Long Island Railroad shipping lifts, remind the public of the area’s industrial history.

“I come out here and fish every day after work,” boasted Ruffino, attempting to pull off his sweatshirt over a lit cigarette. “It doesn’t leave a lot of time to meet women.”

Ruffino began fishing when he was a little boy and quickly developed an obsession, leading him to spend extravagant amounts of money on new fishing equipment. He wishes that there was a local tackle shop in Long Island City but doesn’t mind making the trip to the Dream Tackle Shop in Brooklyn, a hangout for fisherman in the know.

Ben Sargent and James Potter, members of the Urban Anglers Association founded the competition almost as a joke to see if any New Yorkers would actually participate. To their surprise, 40 competitors signed up ranging from old-timer fisherman to skinny-jeaned Hipsters all striving to become New York’s “biggest hooker.”

“The fishing community is a tight, discrete network,” said Sargent, adjusting his Katz’s Delicatessen baseball hat. “We wanted to open it up to everyone.”

Sargent is notorious in the culinary community for his seafood chowder recipe featured on Food Network, his surfing club in Rockaway Parkway and his honorable work with I Fish NY, a program that introduces city kids to the world of fishing.

Sargent’s derby awards extended way beyond 1st and last. The awards for Most Jealous Fisherman, Most Time Spent in the Water, and Best Dressed Fisherman were also greeted with applause and laughter from friends and family. The award for Most Absent Fishermen went to Jason Lamb, a young man with a shaggy mop of hair who notoriously left his pole unattended. His prize: A $50 gift certificate to get a haircut.

Russell Dugan, a young shop regular sporting dirty vintage glasses and an unwashed mullet warmed beneath a red trucker hat enjoys Ruffino’s vast fishing knowledge and outlandish personality. Dugan rarely catches anything but appreciates the sport.

“It’s not about the catching, it’s about the fishing.” The Brooklyn Fishing Derby officially advocates a policy of catch and release. In spite of this, Ruffino plans to share his bounty of fish with good friends and neighbors.

Eating fish from the polluted East River is not advised by environmental experts, but fishermen swear by the safe and pleasurable experience of ingesting the fish you caught by way of your own patience and diligence.

Potter is proud of the derby’s popularity with people of all ages and backgrounds. “Fishing is a common language,” says Potter. He can’t wait to see who joins up next year.

His sister Clarissa Potter is happy for her brother’s success but is relieved that he will now be more available to spend time with loved ones. Mr. Potter won the Most Jealous Fisherman Award for his attitude of complete despair when he lost a fish and very vocally condemned his competitor’s big catch.

New York might seem like the last place a fisherman would go to relish in the tranquil art of casting and reeling, but for Micheal Louie, the Long Island City shore is pure paradise.

“When I’m waiting for the fish to come, I clear my head,” says Louie. “Water runs in, problems run out.”

Space Womb

space womb

Original reporting done in 2009 by Sydney Parker. 

Art is gestating in Long Island City’s Space Womb. The new gallery conceived by artist Jongwang Lee features installation art, interpretive dance and music inspired by the spirituality of the female uterus. Mr. Lee envisions his exhibition as a home for embryonic life, “where one can leave material reality behind and return to the Utopian world of the mother’s womb.” He hopes to promote his vision while fostering the growth of developing artists in the community.space womb gallery

“It’s a little weird, but it’s nice to look at,” said Patricia Toranovich, manager of Court Square Diner located across the street.

Diners enjoy cheese Danish and a full view of the gallery’s galactic “Space Womb” sign imposed on a jet-pack black exterior and swathed in tongue-pink swirls extending all the way onto the sidewalk.

“The name is so strange, nobody knows what it is,” said Tina O’Brien, a bartender at The Shannon Pot, an Irish pub a few doors down from the gallery, “everyone is afraid to go in.”

Mr. Lee credits much of the inspiration for his art to his grandmother who was a famous Shaman in Korea.“During my childhood I was deeply impacted by her performance and felt a strong contact with the spiritual world,” says Lee swooping back a mass of long, dark hair.

Upon completion of his studies at prestigious art Universities in Seoul, Korea and Tokyo, Japan, Mr. Lee moved to New York, New York. He missed the familiarity of his birth country, but wanted to be reborn in the culturally and politically free American climate. His womb-themed art has been featured in group and solo shows throughout museums in California, Washington D.C. and New York. In June 2009 he opened his own gallery at 22-48 Jackson Avenue, LIC.

Space Womb’s address has a reputation in the working-class neighborhood as a haunt for eccentric proprietors. The storefront church, Iglesia De Dios that previously occupied the space held raucous Wednesday night prayer meetings much to the displeasure of neighboring businesses.

“They were singing and screaming late at night. I couldn’t stand the noise,” says Kenny Kang a sign constructor at nearby Eden Signs & More. The owner of the church was later committed to an insane asylum and the church sold to current landlord, Gregory Wolkoff.

The businesses bounding 22-48 Jackson Avenue are relieved by the quietness of their new neighbor. Mr. Lee’s unusual gallery provokes more than a few eyebrow raises, but doesn’t disturb the ebb and flow of the hard working Long Island City citizens arriving off the 7 train zooming overhead.

“I hope that my work encourages people to look within themselves and realize the unbelievable power of life and the dormant potential within each of us,” says Lee.

Mr. Lee is pleased with his gallery’s relatively soothing presence and hopes to continue infiltrating the neighborhood with his artistic and spiritual revelations.

“I like the name Space Womb, it’s funny,” says Michael Stein, a dreadlocked, 6’ 5” elevator mechanic taking a cigarette break in front of Colonial Elevator Corporation. “What the hell do they do in there?”

Interview: Comedian John Lutz

Interview With John Lutz
December 6, 2008

John Lutz

I had the good fortune to intern at Saturday Night Live during the 2008 Obama/Biden vs. McCain/Palin election season. As a young journalism student, I very nervously asked hilarious writer and actor John Lutz if I could interview him for class and he very graciously granted me this interview an hour before dress rehearsal. He wrote sketches for seven seasons on “Saturday Night Live” and was also a writer and cast member on “30 Rock.” He currently writes for the NBC late-night talk show Late Night with Seth Meyers.

SP: What is your favorite part of writing for SNL?

JL: I think my favorite part of writing for SNL is that you can write whatever you want to write. By that I mean that on Tuesday you have the freedom to write whatever you want. Your scenes live or die by what you’ve decided to write. So if it’s funny and it works, you get to do your idea, if it fails, its still your idea. So you still can be proud of it. Even though it didn’t work, you’re like, “well I thought it was funny, I tried my best, didn’t work.” They don’t do a lot of assignments where they go, “you gotta go write that thing.” It’s pretty much whatever inspires you you can write. And I think that’s why you get such a variety of different people’s voices when they write stuff, because they’re allowed write whatever they think is funny. And I think that is a freedom that I don’t think many other writing jobs have. You know, if you’re writing for a sitcom, you have to write for the characters that are in the sitcom, or the story-lines that you’re breaking. I think it’s one of the only places where on Tuesday you can not have an idea, and then at seven on Saturday, come up with something, write it up and have it maybe make it to the show. Which I’ve had happened before. Where it’s like I don’t have anything, and at seven o’clock, I’m like oh, this is funny, and just write it up and be totally loopy and goofy and then that made it to the show. So, that I think is the coolest thing.

SP: Is that scary when you’re not sure? Do you just trust you’re always going to be able to come up with something?

JL: Umm…yeah…most times. Sometimes there are just weeks where you are just blank and you don’t have anything. But I’ve never had a week where I haven’t had something that I’ve written. So it comes to you, but it’s like…sometimes it’s at seven…

SP: Yeah. (Laughs).

JL: When you have to turn it in in three hours. And sometimes it’s two weeks before, or even over the summer, or you have an idea and you’re like oh, I know this person is hosting in two months, that will be perfect for that person. But…it comes…you know eventually. (Laughs)

SP: Yeah…with time.

JL: Yeah.

SP: How do you think SNL may have influenced the last election?

JL: Um…I don’t know. I know that it probably did because I know that a lot of people, or at least younger people get their news from either Weekend Update, or the political stuff that’s on the show here, or the Daily Show or Colbert. That’s where they get their news or information. So I think sometimes people watching see that stuff and it’s like, “Oh, there’s Sarah Palin being stupid. Oh, she must really be stupid.” So I think it might have a little bit. But none of that would have happened if Sarah Palin, or Joe Biden, or Obama or McCain hadn’t done those things in the first place. So it’s kind of like, did we really affect it? Or are we just showing what’s already happening and satirizing that? So you never…you know…I don’t know…

SP: Right.

JL: Is my answer…(Laughs)

SP: Yeah.

JL: I guess. But I think it’s just we’re so much part of that lately. In the last few elections I feel like it’s just..we’re a part of it…but then again…when Bush…when Will Ferrel was playing Bush, Bush still got elected. Even though he was portraying him as being a kinda..a little bit of a…”Dumb Dumb”….but it was all stuff Bush was doing anyway. So it’s like people are aware of it enough…and then they see it on T.V.. So maybe? I don’t know…I’m kind of rambling now (Laughs).

SP: No, no, it’s good.

JL: (Laughs).

SP: Do you feel a sense of responsibility to make any kind of statement with what you write? Or are you purely going for the funny? Or is it a mixture of both?

JL: For me…it’s always funny first and then it’s also picking something that’s actually happened to satirize. I know that especially on this show, we try to make sure that we are not partisan at all so that…if we’re making fun…a perfect example in my opinion is the Vice Presidential debate. We hit Biden as much as we hit Palin I think…like there were good jokes on both sides because we try to balance it out. And I think that when you write political comedy you should try to do that because it’s very easy to skew toward your point of view but I think it’s always better when you try to hit both sides. Sometimes it’s hard because the stories lend themselves to making fun of somebody. Like Sarah Palin with that interview with Katie Couric. You’re not going to be able to balance it out by making fun of Obama’s campaign in that sketch…but then you try to do it…

SP: In another one.

JL: In another way. Yeah. So I think it’s important to try and hit both sides…that way you have…that gives you as a writer, a perspective on what your doing. You’re attacking what’s happening out there rather than attacking the Democrats or the Republicans or whatever. You know? And sometimes, you know…I feel like…at least when I was writing at Second City…it’s what’s in the news, you make fun of what’s in the news. And if it’s Democrat or Republican, it doesn’t matter, you make fun of it, if it’s something that’s funny, its out there to make fun of. Does that make sense?

SP: Yeah, yeah, yeah. Definitely. And then I was wondering about the Paul Rudd episode. There was a lot of criticism saying that it was kind of like a “gay minstrel show”…or..uh…what do you think about that?

JL: I think it’s…I think it’s just that those were a lot of the scenes that were picked that week. (Laughs).

SP: Uh huh. (Laughs).

JL: It wasn’t like our…I don’t think we were all like, ‘Whoo! Now the political stuff is done, let’s go! Let’s do the gay gross out humor! You know, i don’t think that’s what happened, I think thats just…that the scenes that got picked there were some like…you know…some people being shot in them…and then you know also gay…gay themes stuff. And I think also just because the Prop 8 thing was out there, so I think it was out there a little bit. Um..But I know that I didn’t…even in that scene with Beyonce…with the guys dressed in drag kind of…that was never meant to be…in my opinion, they were never gay. It was just those guys’ son’s wanted to be in this video so he put them in these outfits.

SP: Leotards.

JL: Yeah. It was just this is what the video is going to be so we’re going to put them in those outfits. So I never pictured them as being gay…but then they’re surrounded by a bunch of other things that have gay themes. So it’s like oh another scene where guys are in drag..so uh…so…and this show…like somebody was saying in the dressing room, there is our…there’s a lot of potty humor in this episode…I guess this is the potty humor show. And it’s like…I just I think it just happens that sometimes…that’s what everybody…

SP: Well..you all spend so much time together.

JL: (Laughs). Yeah.

SP: In the same space.

JL: Yeah. So I think that it’s just out there. There were three scenes in the read-through that had big fart sound cues.

SP: (Laughs).

JL: And two of those things are going to be in dress rehearsal. But that doesn’t always happen. I think it’s just all of the sudden…I’ve had it where there are three scenes with unicorns in them for no reason. And no one has talked about it. But in the read-through it’s like why is there a unicorn? A unicorn is in my scene and that’s the real big joke of it? So it just weirdly happens sometimes.

SP: Collective unconscious?

JL: Yeah.

SP: Mmhmm.

JL: Anything else?

SP:  I guess my last question would be…when you uh…did you ever think you’d make it to SNL? Did you know that you’d get this far?

JL: No, I didn’t. Well, when I was a kid I always wanted to be on the show and then I started doing improv and acting in college and then I moved and did improv at Second City in Chicago. And my goal originally when I first started was to be on SNL. And then I started doing improv and sketch comedy in Chicago and then that goal kind of went away because I was like, they don’t need another thirty something white guy on the show. They’ve already got so many of those people, so I just put it out of my mind while I was touring…and I was like, I’ll never get to that show and then definitely never thought I would be a writer. I have no idea…sometimes I don’t know why I’m a writer on the show. But I…you know…It just so happened that they saw me do improv in Chicago and then asked if I had a writing package and I was writing in Second City and doing my own sketch show so I did and I turned it in and now I’m here. And sometimes I still walk through the halls and I’m amazed that I’m…it’s like crazy that I’m here.

SP: It must be wild.

JL: It is. It’s nuts. Because It’s SNL.

SP: Yeah.

JL: And I’m writing for the show.

SP: Yeah.

JL: Yeah. And then you walk past a picture of Chevy Chase and Bill Murray and all those guys…and you’re like what am I doing here? This is crazy. And like any job you get mad sometimes, you get tired sometimes, and then you’ll just walk past somebody wearing a giant robot outfit and you’re like oh, this is crazy I’m here, why am I in a bad mood?

SP: (Laughs) Right. I remember Will Forte was downstairs one time and he was dressed as a giant phone, and this little kid comes up to him and says, “you look silly!” And Will says, “This is my job.”

JL: Yeah, I know. It’s crazy. I was just dressed up as an Indian for a photo shoot about half an hour ago. I was like this is what..I get to go put makeup on and a wig, dress up, get my picture taken and then get back into this and go back up to my office (Laughs). And then you know in forty-five minutes go rehearse a scene that Tucker and I wrote for John Malkovich. It’s crazy.

SP: That’s unbelievable.

JL: Yeah.

SP: Yeah.

JL: It’s pretty good.

SP: That’s really cool.

JL: Yeah.

SP: Alright, well, thank you so much.

JL: You’re welcome, I hope it was helpful at all.

SP: Oh, definitely.